28 April 2010
The intention was to write a detailed dispatch on the 3-17th Field Artillerly. Unfortunately, General Stanley McChrystals’ crew broke an agreement I had with the Army to stay until 5/2 Stryker Brigade Combat Team leaves Afghanistan, and so the research on this dispatch was not completed. However, there are some nice nighttime photos and so this dispatch is more about Canons than cannons.
The cannons are ultra-accurate. The commanders are careful with their fire because the guns are also very powerful. When a “fire mission” comes in, the soldiers use the computer to calculate the shot. When you watch the soldiers in action, you can see that they must have practiced this a thousand times. Or more. They just can’t afford to be wrong, and the people who depend on the cannons sometimes cannot wait – so the soldiers must fast and accurate.
Our people use various sorts of ammunition. The most accurate is called “Excaliber,” and it’s a GPS guided smart bomb that is fired from these cannons. The Excaliber is fantastically precise – more accurate than any sniper – and can make first round hits on the targets 5, 10, 20 miles away. Recently, we (the U.S.) had a software glitch with the Excaliber rounds which would have made them inaccurate within certain calendar dates. There are still some glitches but there is no doubt that we could use a lot more of Excaliber. The incredible first-shot accuracy allows our people to more specifically target and reduce civilian casualties.
(I sat on the software information for a couple months until the problem was fixed.)
Daytime photography is somewhat predictable, but nighttime photography is like a box of chocolates.
With the shutter open for up to 30 seconds per photo, moving soldiers appear as apparitions.
Tonight they were firing illumination. On very dark nights, they sometimes fire IR (infrared) illumination that helps our nightvision gear.
These images came from two cameras. Both are Canon Mark II 5d, and with the best lenses that Canon sells, the Mark II 5d model using Canon professional lenses is the best “normal” (meaning not nightvision or thermal) gear for night shooting that I’ve ever held.
The sensors on digital cameras are sensitive beyond the visible range, and so the manufacturers install a filter over the sensor that passes only visible light. I paid a company to remove that filter so the camera will pass IR and some UV. Some of the photos in this series are with the normal camera, and the other are made with the modified sensor.